|
|
|
|
|
|
15 | (2) |
|
|
|
17 | (1) |
|
|
|
18 | (3) |
|
|
|
21 | (2) |
|
|
|
23 | (2) |
|
|
|
25 | (2) |
|
|
|
27 | (1) |
|
|
|
28 | (2) |
|
|
|
30 | (3) |
|
II A book of beautiful monsters |
|
|
|
Swans, as the Light Was Changing |
|
|
33 | (1) |
|
For Patrick Rosal Who Wore a Dress & Said |
|
|
34 | (1) |
|
|
|
35 | (1) |
|
Noche de Lluvia, San Salvador |
|
|
36 | (1) |
|
|
|
37 | (1) |
|
|
|
38 | (1) |
|
|
|
39 | (2) |
|
|
|
41 | (2) |
|
|
|
43 | (2) |
|
Running Home, I Saw the Planets |
|
|
45 | (4) |
|
III A book of graves & birds |
|
|
|
|
|
49 | (1) |
|
|
|
50 | (2) |
|
Self-Portrait as the Snail |
|
|
52 | (1) |
|
|
|
53 | (1) |
|
Portrait of the Woman as a Skein |
|
|
54 | (3) |
|
Three Girls, One of Them a Coward Girl |
|
|
57 | (2) |
|
Self-Portrait as the Snake |
|
|
59 | (2) |
|
Self-Portrait as the Airplane |
|
|
61 | (2) |
|
Central City Senior Center, New Orleans |
|
|
63 | (2) |
|
Self-Portrait as the Pirate's Gold |
|
|
65 | (1) |
|
Self-Portrait as the Snake's Skin |
|
|
66 | (2) |
|
|
|
68 | (2) |
|
This Morning the Small Bird Brought a Message from the Other Side |
|
|
70 | (5) |
|
IV A book of erased cities |
|
|
|
|
|
75 | (1) |
|
They Tell Me You Are Gone |
|
|
76 | (2) |
|
The Doorway of Our Mother's Leg Leads Me to You, Brother |
|
|
78 | (1) |
|
|
|
79 | (1) |
|
|
|
80 | (2) |
|
|
|
82 | (1) |
|
|
|
83 | (1) |
|
Mississippi Burial, On the Ferry to Algiers |
|
|
84 | (3) |
|
Explaining the Land Mine to the Small Child |
|
|
87 | (1) |
|
|
|
88 | (1) |
|
Praise Song for the Donkey |
|
|
89 | (2) |
|
I Am Not Ready to Die Yet |
|
|
91 | (3) |
|
|
|
94 | (2) |
|
|
|
96 | (5) |
|
|
|
|
On the Shape of the Sentence |
|
|
101 | (10) |
|
VI The book of one small thing |
|
|
|
|
|
111 | (1) |
| Notes |
|
112 | (1) |
| Acknowledgments |
|
113 | (2) |
| About the Author |
|
115 | (5) |
| Colophon |
|
120 | |