| Foreword |
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ix | |
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| Acknowledgments |
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xvii | |
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Our Completion: Oil on Wood: Tino Rodriguez: 1999 |
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3 | (1) |
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Acquired Immune Deficiency Syndrome |
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4 | (2) |
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6 | (2) |
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8 | (1) |
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In Colorado My Father Scoured and Stacked Dishes |
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9 | (2) |
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Misael: Oil, Acrylic, Mixed Media on Canvas: Julio Galan: 2001 |
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11 | (1) |
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12 | (3) |
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La Pelona: Mixed Media: Ester Hernandez: 1980 |
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15 | (1) |
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Immigration and Naturalization Service Report #46 |
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16 | (1) |
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17 | (1) |
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After Bei Dao/After Jean Valentine |
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18 | (2) |
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20 | (1) |
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Self-Portrait with Tumbling and Lasso |
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21 | (3) |
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Poem after Frida Kahlo's Painting The Broken Column |
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24 | (5) |
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29 | (4) |
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Variation on a Theme by Jose Montoya |
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33 | (12) |
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45 | (3) |
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48 | (3) |
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All the Trees of the Field Shall Clap Their Hands |
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51 | (2) |
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53 | (2) |
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55 | (1) |
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My Hands Are My Heart: Two-Part Cibachrome Print: Gabriel Orozco: 1991 |
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56 | (2) |
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Temple in a Teapot (Aqui Esta el Detalle) |
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58 | (3) |
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To a Jornalero Cleaning Out My Neighbor's Garage |
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61 | (2) |
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63 | (3) |
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66 | (1) |
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To a Mojado Who Died Crossing the Desert |
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67 | (1) |
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68 | (1) |
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Untitled (Perfect Lovers): Two Commercial Clocks: Felix Gonzalez-Torres: 1987-89 |
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69 | (2) |
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Acquired Immune Deficiency Syndrome |
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71 | (2) |
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Monologue of a Vulture's Shadow |
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73 | (2) |
| Notes |
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75 | |