| Preface to the Third Edition |
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ix | |
| Introduction |
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1 | (2) |
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3 | (1) |
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4 | (1) |
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5 | (6) |
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The pentameter line and others |
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5 | (6) |
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11 | (10) |
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11 | (1) |
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12 | (1) |
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13 | (1) |
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14 | (1) |
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15 | (1) |
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16 | (1) |
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16 | (1) |
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17 | (2) |
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19 | (2) |
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21 | (2) |
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22 | (1) |
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22 | (1) |
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22 | (1) |
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23 | (3) |
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24 | (1) |
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25 | (1) |
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26 | (4) |
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30 | (3) |
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30 | (1) |
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31 | (1) |
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32 | (1) |
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33 | (1) |
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34 | (1) |
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Classical Meters and Their Adaptations |
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35 | (2) |
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36 | (1) |
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36 | (1) |
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36 | (1) |
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37 | (1) |
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37 | (1) |
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37 | (9) |
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37 | (3) |
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40 | (1) |
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40 | (2) |
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42 | (1) |
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43 | (1) |
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43 | (1) |
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43 | (1) |
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blues and thirty-two bar standard song |
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44 | (2) |
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46 | (2) |
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46 | (1) |
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46 | (1) |
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47 | (1) |
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48 | (2) |
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48 | (1) |
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48 | (1) |
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48 | (1) |
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48 | (1) |
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48 | (1) |
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48 | (1) |
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49 | (1) |
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50 | (4) |
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52 | (1) |
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representative versification |
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53 | (1) |
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54 | (6) |
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55 | (1) |
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56 | (1) |
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57 | (2) |
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59 | (1) |
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60 | (11) |
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60 | (1) |
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60 | (1) |
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61 | (3) |
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64 | (1) |
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65 | (1) |
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66 | (1) |
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66 | (1) |
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67 | (1) |
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67 | (1) |
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68 | (1) |
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68 | (1) |
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68 | (2) |
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70 | (1) |
| Appendix |
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71 | (16) |
| Patterns in Practice |
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87 | (50) |
| Suggestions for Further Reading |
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137 | (2) |
| Index |
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139 | |