| Introduction |
|
xv | |
| A Note on Money |
|
xix | |
|
|
|
xxi | |
| Titian's Family Tree |
|
xxiv | |
|
|
|
xxvi | |
|
|
|
|
|
|
3 | (16) |
|
2 The Most Triumphant City |
|
|
19 | (25) |
|
|
|
44 | (21) |
|
|
|
65 | (22) |
|
5 The Fondaco, Giorgione and the Modern Manner |
|
|
87 | (12) |
|
|
|
99 | (18) |
|
7 `Some Little Bit of Fame' |
|
|
117 | (16) |
|
8 `His Industrious Brush': Pentimenti and Portraits |
|
|
133 | (17) |
|
|
|
150 | (19) |
|
|
|
|
1 Alfonso d'Este, Duke of Ferrara |
|
|
169 | (17) |
|
|
|
186 | (18) |
|
3 A New Doge, a River of Wine and Marriage |
|
|
204 | (12) |
|
|
|
216 | (18) |
|
5 The Triumvirate of Taste |
|
|
234 | (19) |
|
|
|
253 | (23) |
|
7 The Most Beautiful Thing in Italy |
|
|
276 | (15) |
|
|
|
|
1 The Portrait of Cornelia |
|
|
291 | (13) |
|
2 The House in Biri Grande |
|
|
304 | (14) |
|
3 The Most Powerful Ruler in the World |
|
|
318 | (19) |
|
|
|
337 | (13) |
|
|
|
350 | (16) |
|
|
|
366 | (19) |
|
7 An Old Battle and a New War |
|
|
385 | (17) |
|
|
|
402 | (25) |
|
|
|
|
1 Aretino Plays Pontius Pilate |
|
|
427 | (12) |
|
2 The Last Great Pope of the Renaissance |
|
|
439 | (12) |
|
|
|
451 | (10) |
|
|
|
461 | (13) |
|
|
|
474 | (15) |
|
|
|
489 | (20) |
|
7 The Prince and the Painter |
|
|
509 | (23) |
|
|
|
532 | (18) |
|
9 The Passing of the Leviathans |
|
|
550 | (20) |
|
|
|
570 | (20) |
|
|
|
590 | (15) |
|
|
|
|
|
|
605 | (15) |
|
|
|
620 | (21) |
|
3 The Biographer, the Art Dealer and the King's Annus Horribilis |
|
|
641 | (13) |
|
|
|
654 | (15) |
|
|
|
669 | (15) |
|
6 Another Way of Using Colour |
|
|
684 | (20) |
|
7 The Plague and the Pity |
|
|
704 | (21) |
| Titian's Legacy |
|
725 | (12) |
| Notes |
|
737 | (52) |
| Bibliography |
|
789 | (14) |
| Appendix: Locations of Paintings |
|
803 | (10) |
| Index |
|
813 | (18) |
| Acknowledgements |
|
831 | |