Reviews for Touch the Sky : Alice Coachman, Olympic High Jumper

Booklist Reviews 2012 February #1
This free-verse poem with vibrant illustrations chronicles the life of high-flying Alice Coachman, from her childhood as a poor cotton farmer's daughter in rural Georgia through her time at the Tuskegee Institute and as the first African American woman to win a gold medal at the Olympic Games. From a young age, Coachman appeared destined for athletic greatness. When an opportunity arose for her to join the Tuskegee Tigerettes as a high jumper, her teachers bought her new shoes to compete. Pinching pennies, mopping the gym, and studying hard, Coachman made a name for herself as a student and an athlete. Though she was at her peak in 1944, there was no Olympics that year, and she had to wait another four years to compete. In 1948, she not only won the gold in high jump but also set a new Olympics record. The engrossing narrative makes this book a can't-miss account of believing in seemingly impossible dreams and pursuing one's passion. Gracefully pictured in Velasquez's oil paintings, Coachman flies high in every way imaginable. Copyright 2012 Booklist Reviews.

BookPage Reviews 2012 February
African-American tales of triumph

Black History Month is a special period of celebration and commemoration—a time for looking back at the individuals and events that made progress possible. In honor of this special time, BookPage has rounded up a group of new picture books that chronicle some of the highlights of the African-American legacy.

In Touch the Sky: Alice Coachman, Olympic High Jumper, Ann Malaspina revisits a thrilling chapter in American sports—the story of the first black woman to win an Olympic gold medal. Born in Albany, Georgia, to impoverished parents, Alice Coachman seems destined to defy gravity. Leaping over tree roots and shooting baskets with towering boys, practicing the high jump with a crossbar made of branches and rags, Alice, as depicted in Eric Velasquez’s dynamic paintings, seems always to be airborne. Her father disapproves of her tomboyish behavior, but when she’s invited to join the Tuskegee Institute’s famous Golden Tigerettes track team, Alice develops skills that take her to the 1948 London Olympics. There she soars farther than she ever imagined, setting a new Olympic high jump record. Malaspina employs a spirited prose style to tell the story of Alice’s extraordinary career.

Proving that knowledge really is power, Lesa Cline-Ransome’s Words Set Me Free: The Story of Young Frederick Douglass recounts the rise of one of America’s greatest orators. Frederick Douglass spends his early childhood on a Maryland plantation where slaves caught reading are severely punished. When he’s transferred to the home of the Auld family in Baltimore, Frederick gets his first taste of formal education. Kind-hearted Missus Auld gives him lessons in the alphabet, and Frederick is soon obsessed, practicing in secret with a brick and chalk. At the age of 12, he buys his first newspaper and encounters words like “abolition” and “liberty.” Against all odds, Frederick educates himself and—later on, at great risk—his fellow slaves. By unlocking the secrets of language, he arms himself for the future. Featuring beautifully nuanced pictures by the author’s husband, James E. Ransome, this moving book comes with a clear message: Education is the key to success.

With Jazz Age Josephine, Jonah Winter offers an irresistible homage to a groundbreaking performer. Born dirt poor in St. Louis, Missouri, young Josephine Baker spends part of her childhood in the city slums, where she’s taunted by other kids. Using theatrics as a survival tactic—clowning and dancing to hide her hurt—she makes a little money and eventually joins a traveling show as a dancer, but the blues follow. At one point, she’s so broke, a bench in Central Park serves as her bed. At the age of 19, Josephine takes off for Paris, where she finds her artistic footing and gets a taste of what liberation is like. Embracing her race and blossoming as a performer, she hits the heights of fame but never forgets her St. Louis roots. Winter’s blues-inflected writing style is perfectly complemented by Marjorie Priceman’s bright, impressionistic visuals. Brimming with infectious energy, Winter’s book is a showstopper from start to finish.

Showing how team spirit in sports helped break down racial barriers, Chris Crowe’s Just as Good: How Larry Doby Changed America’s Game is a wonderful depiction of the brotherhood of baseball. It’s the fall of 1948, and the city of Cleveland is humming with anticipation for game four of the World Series—a contest between the city’s own Indians and the Boston Braves. An African-American boy named Homer narrates the events of the big day, as he and his parents gather around the radio to listen to the game. Homer’s hero, Larry Doby, the first black player in the American League, will be stepping up to the plate. When Doby hits a home run in the third inning, he makes history, becoming the first African-American ballplayer to do so in the World Series. Mike Benny depicts Homer’s wide-eyed excitement through luminous illustrations, while Crowe seamlessly weaves facts and stats from the actual game into the storyline.

Ntozake Shange is a beloved African-American playwright, poet and novelist. With Freedom’s
a-Callin’ Me
, she delivers a timeless collection of verse inspired by the Underground Railroad—dramatic and impassioned poems about slaves dreaming of escape, the white folks who help them and the trackers who trail them. Shange writes with wonderful authenticity and an ear for syntax, conjuring up a group of unforgettable narrators who experience hope, danger and loss on the road to a better life. The book’s title poem eloquently describes one man’s plan to flee, to “mix myself way low in the cotton . . . wind myself like a snake / till ah can swim ’cross the stream.” The poems are filled with arresting imagery—slave hunters leading ferocious hounds, overseers wielding their whips—which Rod Brown brings to life in his sensitively rendered paintings. Throughout the book, Shange offers different perspectives and stories to create a multifaceted look at the secret system that changed so many lives. This is a wonderful introduction to an important chapter in African-American history—and to the narrative possibilities of poetry.

Written and illustrated by acclaimed author Shane W. ­Evans, We March is a stirring account of a history-making event as seen through the eyes of one African-American family. On August 28, 1963, more than 250,000 people came together for the March on Washington for Jobs and Freedom, an episode forever inscribed on the American memory thanks to Martin Luther King Jr.’s “I Have a Dream” speech. Evans’ tale brings the momentous day down to a personal level, as the family prepares to march, painting signs, praying and joining the procession to the Lincoln Memorial. Evans’ brief, poetic li[Sat Aug 23 15:58:56 2014] Wide character in print at E:\websites\aquabrowser\IMCPL\app\site\ line 249. nes have a simple majesty that reflects the significance of the occasion. His vibrantly illustrated story gives readers a sense of what it might have been like to join the crowd taking crucial steps on the road to freedom.

Copyright 2012 BookPage Reviews.

Horn Book Guide Reviews 2012 Fall
Alice Coachman dreamed of athletic success as a "never-sit-still girl" in Depression-era Georgia. Her high-jumping career took off in high school, and in 1948 she became the first black female to win Olympic gold. The drama of Malaspina's free-verse telling is mirrored by Velasquez's emotive oil paintings. Appended archival photographs and an author's note expand the inspirational story. Bib.

Kirkus Reviews 2011 December #2
Malaspina's free verse tells the story of how Alice Coachman went from her Georgia hometown to the 1948 London Olympics, becoming the first African-American woman to win an Olympic gold medal. "Sit on the porch and / be a lady," Papa would scold young Alice. But Alice preferred racing down the road, "Bare feet flying, / long legs spinning, / braids flapping / in the wind." She'd play basketball with the boys at recess, make her own high-jump bar with rags tied to sticks and practice, practice, practice. She dreamed of soaring, of touching the sky, and when Coach Abbott invited her to enroll at Tuskegee to train with the Tigerettes, she saw her dreams come closer. She traveled with the Golden Tigerettes and later set a high-jump record at the Olympic Trials. At the Olympics, the American women had no medals going into the final event, the high jump. It was down to two women, and Alice won, setting a new Olympic record. Velazquez's oil-on–watercolor-paper illustrations capture the long-legged grace of Coachman and the power of her jumps, most dramatically her Olympic medal–winning jump in a close-up double-page spread against an Impressionistically rendered crowd in the background. A solid introduction to a lesser-known sports heroine. (author's note, bibliography) (Picture book/biography. 6-9) Copyright Kirkus 2011 Kirkus/BPI Communications.All rights reserved.

Library Media Connection Reviews 2012 August/September
Alice Coachman dreamed of going to the Olympics for her high jumps, but African-American girls in her Georgia town were not allowed on any field to practice. So she created her own crossbar with rags and sticks. After joining the Tuskegee Golden Tigerettes team, she traveled and competed in many track events. Alice went to the 1948 Olympic Games in London after setting an Olympic Trial record, and became the first African-American woman to win an Olympic gold medal. Told in free verse, this story of determination will inspire readers to reach for the sky as they try to make their own dreams come true. Oil paintings beautifully depict each part of Alice's journey, with a double-page spread devoted to her gold-winning jump. Amy E. Parker, Lower School Assistant Librarian, The Kinkaid School, Houston, Texas. RECOMMENDED Copyright 2012 Linworth Publishing, Inc.

Publishers Weekly Reviews 2012 February #3

As a girl, Alice Coachman drew attention in her small Georgia town for her high-jumping skills, even though she used an improvised crossbar made of sticks and rags. After impressing the coach for the Tuskegee Golden Tigerettes and playing with the all-female track team, Coachman set an Olympic trials record and went on to compete at the 1948 Olympic Games in London, becoming the first African-American woman to win gold. Velasquez's majestic, thickly painted oils portray Coachman (b. 1923) with a quiet serenity and assurance, as Malaspina, writing in verse, conveys the magnitude of her accomplishments with agility and lyricism: "As she climbed to the top/ of the winners' stand,/ the crowd rose/ for the bare-feet flying,/ long-legs spinning,/ moon jumper from Georgia." Appended materials include several b&w photographs and biographical details about Coachman's later life. Ages 6-9. (Jan.)

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School Library Journal Reviews 2012 April

K-Gr 3--With oil paintings crafted from photographs, Velasquez captures the unconventional style of Alice Coachman's high jumps in this picture-book biography of the first African American woman to win an Olympic Gold. Free-verse text focuses on details such as the athlete's tendency to suck lemons during competitions: "the lemon made her feel lightning-fast,/feather-light, moon-jumping strong." Full-bleed images with inset text appear on almost every spread. One shows Coachman as a young girl jumping a twisted cloth strung between two trees while a man comments to her mother that she's likely to jump over the Moon one day. Her mother's response is not included, but her posture conveys her attitude. It was not her parents who encouraged her, though, but teachers who recognized her talent and offered opportunities for her to train and compete. Readers are likely to empathize with this tomboy who loved to run, jump, and play sports with the boys despite her father's admonitions that she "sit on the porch and/be a lady." This book does not emphasize Coachman's racial experiences except for a brief list of issues the Tuskegee Golden Tigerettes faced traveling in the South. An author's note mentions a reception in her hometown where well-wishers were divided by race. Four black-and-white photos of Coachman and a close-up of her medal are included. This is not a resource for reports, but it is an inspiring introduction to an obscure athlete.--Janet S. Thompson, Chicago Public Library

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