Reviews for Lay of the Land


Booklist Reviews 2006 November #1
/*Starred Review*/ Ford's third novel featuring realtor Frank Bascombe, previously seen in he Sportswriter (1986)and the Pulitzer-winning ndependence Day (1995), finds the beleaguered everyman in the "Permanent Period" of his life, where he's trying mightily to deal with present circumstances while dodging past regrets. But it's Thanksgiving week, "the time of year when things go wrong if they're going to." Frank has recently been diagnosed and is undergoing treatment for prostate cancer; his second wife has left him for her first husband (presumed dead but recently resurrected); his long-divorced first wife has suddenly (and disturbingly) expressed an interest in getting back together; and his fractious relationship with his son is soon to be tested anew as the family gathers for an organic-turkey dinner. As Frank struggles to hold onto his peace of mind, events both large and small conspire to give him an "acute case of the heebie-jeebies." A barroom brawl with a drunken florist, a real-estate deal gone sour, and an unexpected, intense bout of grieving for his first child, who died at age nine--Frank suddenly finds himself just where he doesn't want to be, mired "in the meaning of every goddamn thing." Through Frank's acerbic opinions on a host of issues, from the presidential election of 2000 to the real-estate business, friendship, and the "treacherous" nature of holidays, Ford crafts a mesmerizing narrative voice--one that gives us, with offhanded eloquence and a kind of grim mirth, "the lay of the land." ((Reviewed November 1, 2006)) Copyright 2006 Booklist Reviews.

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Kirkus Reviews 2006 September #2
The third and most eventful novel in the Frank Bascombe series takes a whiplash turn from comedy (occasionally slapstick) toward tragedy.Every ten years or so, Ford returns to Bascombe, whose debut in The Sportswriter (1986) provided the author's popular breakthrough and whose encore in Independence Day (1995) merited the Pulitzer. Where there were considerable differences between the first novel and the follow-up-in which the once-promising writer and aspiring novelist settles for a comfortable living as a real-estate agent-the third sticks closer to the second's template. Once again, Frank ruminates on his existence over an extended holiday, in this case Thanksgiving 2000, when the country is in the midst of millennial tremors and a contested presidential election. It seems that neither death nor divorce may be permanent in Bascombe's life. He is now separated from his second wife, who had presumably been a widow, but whose first husband returns to the scene, while Frank's first wife (now widowed by her second husband) gives signs that she wants to reconcile with him. His son and daughter are now adults, with complicated adult problems and relations with their parents. Frank has moved from Haddam, N.J., a suburb much changed by gentrification and cultural diversity, to a resort community on the shore, where he now sells homes and cottages with a Tibetan refugee, a Buddhist who has Americanized his name as Mike Mahoney. At the age of 55, Frank also suffers from prostate cancer, which has brought him to the autumn of his years (hence, Thanksgiving) earlier than most. As always, Frank prefers to react than act, to roll with the punches thrown by those who wish he were someone other than who he is. Over the course of three days culminating in a holiday dinner, he absorbs more punches than at any other time in his life.Though not as consistently compelling as Independence Day (too many chickens coming home to roost), this reaffirms that Frank Bascombe is for Ford what Rabbit Angstrom is for Updike.First printing of 150,000. Agent: Amanda Urban/International Creative Management (ICM) Copyright Kirkus 2006 Kirkus/BPI Communications. All rights reserved.

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Library Journal Reviews 2006 October #2

In 1985, Ford published The Sportswriter and with protagonist Frank Bascombe began an epic story of the everyman. Ten years later, Bascombe returned in Ford’s Independence Day , winner of both the Pulitzer Prize and the PEN/Faulkner Award, a feat never before accomplished by a single work of fiction. Here, Ford revisits the story in 2000, as Bascombe deals with prostate cancer, his second divorce, and the controversial presidential election fiasco. He has moved to the Jersey shore, where he sells real estate and, over the course of 500 pages, does nothing particularly important except host a postnuclear family Thanksgiving get-together to which, against his better judgment, he has invited his ex-wife and emotionally explosive son. But, as in many literary classics, the beauty of this novel is in its presentationâ€"the word choice and perfect phrasesâ€"and in Bascombe’s unwaveringly honest and humorous narration. Ford manages to become his character and remove authorial boundaries, transforming his novel into a story told to us by an old friend. A fitting way to complete the Frank Bascombe legacy; recommended for public and academic libraries. [See Prepub Alert, LJ 6/1/06.]â€"Stephen Morrow, Columbus, OH

[Page 51]. Copyright 2006 Reed Business Information.

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Library Journal Reviews 2006 June #1
With his first novel in more than a decade, Ford picks up the story of Frank Bascombe, begun in The Sportswriter in 1985. With a 15-city tour. Copyright 2006 Reed Business Information.

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Publishers Weekly Reviews 2007 January #5

Frank Bascombe, Ford's former fiction writer and sports journalist who we have seen age and change since Ford introduced him in 1986's The Sportswriter , must be one of the most difficult fictional characters to bring to audio life. His moods and mindsets shift like the shores of his native New Jersey, where at 55 he now sells real estate, and keeping them clear and credible requires a reader of subtle and impeccable judgment. Barrett, a veteran stage, film and television actor, has a voice that should make listeners think they're hearing Frank tell his own story. He catches every nuance from the odd to the tragic, making the breakup of two marriages, a life-threatening disease and the disappointment over a son's career choice as vital a part of Bascombe's story as his strange mental journeys, which are often triggered by headlines or TV news items. A sharp, revealing interview with author Ford is part of this very large, extremely important audio package. Simultaneous release with the Knopf hardcover (Reviews, Sept. 11). (Nov.)

[Page 67]. Copyright 2007 Reed Business Information.

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Publishers Weekly Reviews 2006 September #2

Frank Bascombe meticulously maps New Jersey with a realtor's rapacious eye, and he is an equally intense topographer of his teeming inner landscape. In the first of Ford's magisterial Bascombe novels (The Sportswriter , 1986), Frank staved off feelings of loss and regret with a dissociated "dreaminess." He graduated to a more conventional detachment during what he calls the "Existence Period" of the Pen/Faulkner and Pulitzer Prize winning Independence Day (1995). Now we find the 55-year-old former fiction writer and sports journalist in a "Permanent Period," a time of being, not becoming. He's long adjusted to the dissolution of his first marriage to women's golf instructor Ann Dykstra (which foundered 17 years earlier after the death of their nine-year-old, firstborn son, Ralph) and settled for eight years with second wife Sally Caldwell in Sea-Clift, N.J. Permanence has proven turbulent: Sally has abandoned Frank for her thought-to-be-dead first husband, and Frank's undergone treatment for prostate cancer.

The novel's action unfolds in 2000 over the week before Thanksgiving, as Frank bemoans the contested election, mourns the imminent departure of Clinton ("My President," he says) and anticipates with measured ambivalence the impending holiday meal: his guests will include his 27-year-old son, Paul, a once-troubled adolescent grown into an abrasive "mainstreamer," who writes for Hallmark in Kansas City, Mo., and his 25-year-old daughter, Clarissa, a glamorous bisexual Harvard grad who's unfailingly loyal to her dad. Frank's quotidian routines are punctuated by weird but subtly depicted events: he happens on the scene of a bombing at the hospital in his former hometown of Haddam, N.J., clenches his jaw through an awkward meeting with Ann, provokes a bar fight and observes the demolition of an old building.

But the real dramatic arc occurs in Frank's emotional life until the climax takes him out of his head. Ford summons a remarkable voice for his protagonist ruminant, jaunty, merciless, generous and painfully observant building a dense narrative from Frank's improvisations, epiphanies and revisions. His reluctance to "fully occupy " his real estate career ("it's really about arriving and destinations, and all the prospects that await you or might await you in some place you never thought about") illuminates the preoccupations of the boomer generation; for Frank, an unwritten novel and broken relationships combine with the dwindling fantasy of endless possibility in work and in love to breed doubt: "Is this it?" and "Am I good?" Frank wonders. The answers don't come easy. 150,000 announced first printing. (Nov.)

[Page 41]. Copyright 2006 Reed Business Information.

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