Reviews for Ellington Was Not a Street
Booklist Monthly Selections - #2 February 2004
Gr. 3-5. The text of this picture book for older children is a paean to Shange's family home and the exciting men who gathered there, everyone from W. E. B. DuBois and Paul Robeson to Dizzy Gillispie and Duke Ellington. Taken from Shange's 1983 poem "Mood Indigo," the words here recall, from a child's perspective, what it was like to listen "in the company of men / politics as necessary as collards / music even in our dreams." The evocative words are more than matched by Nelson's thrilling, oversize oil paintings, a cross between family photo album and stage set, featuring this group of extraordinary men interacting--playing cards, singing, discussing. The girl who is always watching them is, unfortunately, portrayed as very young, perhaps three or four, although she appears somewhat older on the beguiling jacket art. Preschoolers are not the audience for this, and despite the helpful notes that introduce the men mentioned in the poem, even older children will need further explanations (e.g., where are the famous women?). Depicting the narrator as a child closer in age to the target audience would have helped bridge the gap between a poem written for adults and a book for children. Still, with words and pictures that are so enticing, this will be embraced by many. ((Reviewed February 15, 2004)) Copyright 2004 Booklist Reviews.
Horn Book Guide Reviews 2004 Fall
Shange's elegiac poem "Moon Indigo" serves as text for this picture book, which presents the poem from the point of view of a little girl whose family is visited by some of the great African-American men of the mid-twentieth century: Ellington, Du Bois, Robeson. Nelson's cool-toned illustrations are sleek and sophisticated but represent the poem--powerful and sad on its own--on only its most superficial level. Copyright 2004 Horn Book Guide Reviews.
Kirkus Reviews 2003 November #2
Deeply colored paintings enrich this homage to African-American men who made history and influenced culture, including Duke Ellington, Paul Robeson, Dizzy Gillespie, and W.E.B. DuBois. Nelson's setting is a home, filled with the folks who made it happen, as observed by a small girl whose presence, greeting the guests or peeking around the corners, adds the child's point of view. The poetic text is spare, with only a few words on each spread, but they match the majesty of the scene. Children will need context to understand the brief lines, and happily, an author's note provides it. In bell hooks style, none of the lines or names are capitalized, nor do they have punctuation. Intended for children today who know these names as commemorative plaques on buildings or streets, the deceptively simple text reveals the feel of the Harlem Renaissance: "Politics as necessary as collards, music even in our dreams." A tribute to what these men did for African-Americans, indeed all Americans, is soulfully and succinctly stated: "Our doors opened like our daddy's arms, held us safe and loved." Exquisite. (Picture book. 4-8) Copyright Kirkus 2003 Kirkus/BPI Communications.All rights reserved.
Library Media Connection Reviews 2005 January
Ntozake Shange is best known for her adult books and poems related to the African- American experience. This beautifully illustrated book uses the text of the author's poem "Mood Indigo" to show a child's perspective of what it was like to grow up in a warm and vibrant home "filled with all kinda folks" such as Duke Ellington and Paul Robeson. Older students and adults best appreciate it, although teachers of younger children may find it suitable as a read aloud. Additional Selection. Pat Polsonetti, Head of Circulation and Interlibrary Loan Services, Lane Library, Armstrong Atlantic State University, Savannah, Georgia © 2005 Linworth Publishing, Inc.
Publishers Weekly Reviews 2003 December #4
At once personal and universal, Shange's poem, "Mood Indigo" (published in her 1983 poetry collection, A Daughter's Geography), serves as the narrative for this elegiac tribute to a select group of African-American men who made important contributions to 20th-century culture. Nelson (Big Jabe) ingeniously sets the events in the home of the narrator, depicted as a curious, winning girl in oil paintings that strongly evoke the period and mood as the renowned visitors start to gather in her convivial, well-appointed house. Presented without punctuation, apostrophes or capital letters, the affectingly wistful verse flows freely and lyrically: "it hasnt always been this way/ ellington was not a street," it begins. Paul Robeson hangs his hat on a coat rack, emphasizing the man's larger-than-life presence and tall, athletic stature ("robeson no mere memory") while "du bois walked up my father's stairs" with the aid of a cane. Nelson conveys the learned man's advancing years but, once seated on the couch, Du Bois exudes wisdom and dignity. The volume culminates in a group portrait of Duke Ellington, percussionist Ray Barretto, jazz great Dizzy Gillespie and Dr. Kwame Nkrumah, former president of Ghana, among others; this collective image drives home the point that these legendary figures were contemporaries who defined an era. Brief concluding biographical sketches tell readers more about these engaging personalities and may well lead to further reading. This is truly a book for all ages, lovely to behold and designed to be revisited. All ages. (Jan.) Copyright 2003 Reed Business Information.
School Library Journal Reviews 2004 January
Gr 3-8-Nelson illustrates the noted poet's "Mood Indigo," from her collection entitled A Daughter's Geography. The book begins with the opening lines of the poem set against a pale gray page: "it hasn't always been this way/ellington was not a street." Opposite, a full-page painting shows several people walking beneath a green sign that reads Ellington St. A young African-American woman carrying a red umbrella is prominently featured, and readers will soon understand that she is the child narrator, all grown up (the resemblance is striking). In the poem, Shange recalls her childhood when her family entertained many of the "-men/who changed the world," including Paul Robeson, W.E.B. DuBois, Ray Barretto, Dizzy Gillespie, "Sonny Til" Tilghman, Kwame Nkrumah, and Duke Ellington. Both the words and the rich, nostalgic illustrations are a tribute to these visionaries. Done in oils, the skillfully rendered portraits emphasize facial expressions, clothing, and physical positioning on the page, and provide unmistakable insight into the persona of each individual. Although presented in picture-book format, the poem is sophisticated, and therefore it may need to be read aloud and explained to younger readers. A biographical sketch of each man appears at the end, along with the poem reprinted on a single page.-Mary N. Oluonye, Shaker Heights Public Library, OH Copyright 2003 Reed Business Information.