Reviews for Band of Angels : A Story Inspired by Jubilee Singers


Booklist Monthly Selections - #2 April 1999
/*Starred Review*/ Gr. 2^-4, younger for reading aloud. Family history being told to young Beth by her aunt is the framework for this inspiring story of the Fisk University Jubilee Singers. Beth's great-great-grandmother Ella, who was born into slavery, and who struggled to save enough money to go to Fisk, is based on the real-life Ella Sheppard. Ella didn't save nearly enough, but she went to school anyway, and while there joined the chorus, which went on the road to raise money to repair Fisk's dilapidated buildings. Featuring classical pieces and other songs of white culture, the chorus' concerts drew poorly, but when Ella led the chorus members to sing their own people's spirituals, audiences flocked to hear them. The richly and dramatically told story is well matched by Colon's inspiring artwork. From the cover piece, which features Ella, her eyes closed as she sings, to the final picture, showing Beth and the spirit of Ella behind her, the art, done in Colon's signature scratchboard style infused with gold, has the harmony of the music and the spirit of the Jubilee songs. The book is cataloged as fiction, and the author's note says the story is fiction but based on real events. From the note it appears that most of the events, if not the dialogue and the introduction of the child Beth and her aunt, are factual. An unusual topic translated into a pleasing book. ((Reviewed April 15, 1999)) Copyright 2000 Booklist Reviews

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Horn Book Magazine Reviews 1999 #2
Founded for former slaves in 1866, Fisk School (now Fisk University) had a struggle to survive its early years. To raise money, music teacher George White took his group, the Jubilee Singers, on tour. At first, the popular music they sang failed to attract an audience; but when they offered the hitherto unfamiliar music of their own heritage, they not only became famous but were also instrumental in introducing spirituals to the world. With the help of Fisk librarian Beth Howse (great-granddaughter of Ella Sheppard, the singers' pianist), Hopkinson tells Ella's fictionalized story as it's related by "Aunt Beth" to a niece who treasures this significant family history and imagines what it was like to be part of the historic group. Beginning with Ella's struggle to earn tuition for a longed-for education and the determination of all the students to keep their school alive, Hopkinson credits Ella herself with the dramatic turnaround when a bored audience was finally captivated. On the spur of the moment, Ella played and sang "Many Thousand Gone"; the others joined in, to ringing applause. Ironically, the tour became such a success that they never returned to Fisk to graduate; they did, however, save their school. Col n's handsome illustrations-monumental figures in richly textured brown, blue, and rust suffused with the golden tones of old photos-capture the dignity of the singers and the eloquence of their performance. A note on the history of the Jubilee Singers, who still perform, closes the book; endpapers feature portraits of nine of the singers. j.r.l. Copyright 1999 Horn Book Magazine Reviews

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Publishers Weekly Reviews 2001 December #3
In a starred review of this story inspired by a groundbreaking African-American chorus founded in 1871, PW wrote, "Scenes of the chorus lost in song voices raised, eyes closed reveal the courage and heart of these trailblazing singers." Ages 5-9. (Jan.) Copyright 2001 Cahners Business Information.

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Publishers Weekly Reviews 1999 January #1
A groundbreaking African-American chorus founded in 1871 inspires this warm and moving picture book. "Grandma Ella was born into slavery... but no one could chain her voice," begins Aunt Beth in response to the girl narrator's request for her favorite story. After the Civil War, Ella becomes one of the first students to attend the Fisk School, a newly formed institution for freed slaves in Nashville. She has been at her studies only a short time when the school's run-down buildings and dire financial situation puts Fisk on the verge of closing. But Professor White, who teaches music, recruits Ella and fellow members of the school chorus to tour the northern states and raise money for Fisk. In the North, the singing group meets with harsh discrimination that moves them to perform not the slotted popular tunes of the day but the "powerful songs of courage" known as spirituals a program change that earns them both money and accolades. Hopkinson's (Sweet Clara and the Freedom Quilt) lilting text interweaves subtle details about racial tensions after the Civil War while emphasizing the importance of education and of being true to oneself. Colón's (My Mama Had a Dancing Heart) watercolor and colored-pencil compositions are awash in soft, golden light. His characteristic cross-hatching technique adds texture and depth to each painting, and scenes of the chorus lost in song voices raised, eyes closed reveal the courage and heart of these trailblazing singers. Ages 5-8. (Jan.) Copyright 1999 Publishers Weekly Reviews

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School Library Journal Reviews 1999 February
Gr 1-5 This picture book is both touching and inspirational. The narrative is written from the point of view of the great-great-granddaughter of Ella Sheppard, one of the original Jubilee Singers from the Fisk School in Nashville, TN, the first school for freed slaves. As Aunt Beth tells about the struggles of Ella and the rest of the chorus to raise money to save their school, the girl imagines what her great-great-grandmother might have thought or felt. The singers traveled throughout the North after the Civil War performing popular music. However, it was only when they began to perform the "jubilee" or spiritual songs such as "Swing Low, Sweet Chariot" that they gained popularity. Later, they sang for Queen Victoria and President Grant and the funds they raised helped to build Jubilee Hall and establish Fisk University. Hopkinson's poignant prose sets the tone for this glimpse into a little-known bit of black history. Using the device of a family storyteller and a child narrator brings immediacy to the tale and a personal connection to the events. Colón's soft watercolor and colored-pencil illustrations are full of gentle greens and browns. The sepia tones add an antique look to the book. This heartwarming presentation is not a historical account, but rather a human look at recorded facts. A fine read-aloud with a good story, uplifting pictures, and fascinating information. Beth Tegart, Oneida City Schools, NY Copyright 1999 School Library Journal Reviews

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