Reviews for Three Little Wolves and the Big Bad Pig
Horn Book Guide Reviews 1994
In a satirical retelling of the classic tale, the roles are reversed. The art depicts the wolves demurely playing croquet, and when the big bad pig sledgehammers their brick house, the threesome are shown nervously trotting out the back, clutching their beloved teapot. Sophisticated readers will appreciate the humor in the details and in the unexpected happy ending. Copyright 1998 Horn Book Guide Reviews
Kirkus Reviews 1993 September
Never mind the other incarnations of this tale--classic, fractured, rapped; this inversion will have children giggling from the outset. Sent into the world by a mother who wears hair curlers, three ``cuddly'' wolves build a brick house, then try to fend off a snarling thug of a pig who demolishes it with a sledgehammer. Their next place is concrete; the pig has a pneumatic drill. They construct a metal fortress, complete with steel chains and Plexiglas; the pig goes for dynamite. Then they build a house of flowers and the pig pulls a ``Ferdinand,'' not only reforming but making it a happy m nage quatre. This latter-day plea for a peaceable kingdom reckons once and for all with the question at the core of this familiar tale--why must pigs and wolves be enemies? Oxenbury provides dauntingly well- executed watercolors, offering such charming contrasts as an angular modernistic concrete home in an otherwise pastoral setting. (Picture book. 5-10) Copyright 1999 Kirkus Reviews
Publishers Weekly Reviews 1997 April #1
ISBN 0-689-81528-X. PW's starred review applauded the "laugh-out-loud results" of this talented team's clever interpretation, calling it "among the wittiest fractured fairy tales around." Ages 5-10. (Apr.) Copyright 1998 Publishers Weekly Reviews
Publishers Weekly Reviews 1993 June #4
A talented team ingeniously up-ends the classic tale of the three little pigs, and the laugh-out-loud results begin with the opening illustration--a mother wolf lounges in bed, her hair in curlers and her toenails freshly polished, with her three fluffy, cuddly offspring gathered round. The wolf siblings, amply warned about the big bad pig, construct their first house of sturdy brick, a medium which resists the pig's huffing and puffing but is no match for his sledgehammer. Their abodes become progressively more fortress-like, and the pig's implements of destruction, correspondingly, grow heftier, until the wolves try another tack and weave a house of flowers. The fragrance so intoxicates and tames the pig that he and the wolves live together happily ever after. In his English-language debut (see note, p. 55), Trivizas laces the text with funny, clever touches, from an ensemble of animals who obligingly donate whatever building materials the wolves require, to the wolves' penultimate, armor-plated residence replete with a ``video entrance phone'' over which the pig can relay his formulaic threats. Oxenbury's watercolors capture the story's broad humor and add a wealth of supplementary details, with exquisite renderings of the wolves' comic temerity and the pig's bellicose stances. Among the wittiest fractured fairytales around. Ages 5-10. (Sept.) Copyright 1993 Cahners Business Information.
School Library Journal Reviews 1997 November
PreS-Gr 3 A menacing pig is thwarted by three endearing young wolves in this new twist on the porcine favorite. Three cheers for these frisky, frolicking creatures and for the swine who learns the joy of friendship and beauty. (Dec. 1993) Copyright 1998 School Library Journal Reviews
School Library Journal Reviews 1993 December
PreS-Gr 3-``Once upon a time, there were three cuddly little wolves with soft fur and fluffy tails....'' They go out into the world to build a house for themselves only to be menaced by a big bad pig. In a clever switch on the familiar counterparts, these sweet-faced innocents use brick, concrete, and steel constructions, but their nemesis is not called big and bad for nothing. With sledgehammer, pneumatic drill, and dynamite, the pig wrecks each structure. ``Something must be wrong with our building materials,'' the wolves muse. Their final house is build from flowers, insubstantial yet beautiful. It is their lovely scent that causes the pig to change his nasty ways and all live together as friends happily ever after. The text has the repeating situations and phrases from the traditional version. Oxenbury's pastel watercolor illustrations combine the coziness of a nursery tale with tongue-in-cheek humor. They are animated and full of personality. Children familiar with The Three Little Pigs will enjoy the turnabout, the narrow escapes, and the harmonious ending. This may also be used to inspire them to develop their own adaptations of classic tales.-Karen James, Louisville Free Public Library, KY Copyright 1993 Cahners Business Information.