Reviews for Runaway Mummy : A Petrifying Parody


BookPage Reviews 2009 October
Mummies and monsters and scarecrows, oh my!

Something is lurking out there. Scarecrows are stirring, black cats are making mischief, and innocent young girls are taking to their broomsticks. It must be, it must be . . . this season’s bumper crop of fabulous Halloween picture books. By the time everyone’s favorite dress-up day arrives, there will be candy to fill young bellies and literary treats to feed imaginations. You’ll recognize many of the authors and artists—including Jane Yolen, Ed Emberley and Lois Ehlert—and a few newer storytellers have been added to the brew. This particular blend of spooky stuff will draw so much deserved attention, Frankenstein’s monster will be positively green with envy.

Mummy dearest

When you first glance at the cover of The Runaway Mummy, you may be overcome with a spooky sort of déjà-vu. In case you missed the thread that began with last year’s best-selling Goodnight Goon, Michael Rex’s latest parody is a ghoulishly gleeful take on Margaret Wise Brown’s classic, The Runaway Bunny. And while the cast of characters may not be as warm and fuzzy as in the original story, the mummy love is ever abundant. While her son morphs into a series of crazy creatures, mom is hot on his trail. “If you try to get me,” said the little mummy, “I will turn into a serpent that lurks at the bottom of the sea.” But Mother Mummy has him covered, delivering a squeeze worthy of a giant squid. Little mummy finds that independence is elusive until a surprise ending turns the story on its tail, leaving readers wondering what sort of mischief Michael Rex might make with The Big Red Barn.

Garden of delights

Sure to be another monster hit for author and artist Lois Ehlert, Boo to You! lends her impressive trademark multimedia collage style to an autumn feast for the eyes, set to rhythmic verse. A harvest party is being planned by the garden mice but a pesky cat is determined to spoil the fun. It’s really a dilemma, because “A raccoon or a squirrel might bite a veggie, but a cat loves meat, and that makes us edgy.” The crafty mice devise a plan to scare the kitty, and it unfolds with a satisfying surprise. You know Ehlert from Eating the Alphabet, Fish Eyes: A Book You Can Count On, Chicka Chicka Boom Boom and many others. Her latest effort will bring jack-o-lantern grins to the faces of a whole new generation of admirers.

Monsters afoot

The Monsterologist: A Memoir in Rhyme is an exuberant collection of poems about monsters of every stripe—in the engaging form of letters, notes and secret files—that gives readers a rare and comical glimpse at their private lives and predilections. There’s a personal invitation from Count Dracula, a warning about werewolves, an exclusive interview with the Loch Ness Monster and a classified email about zombie research. Appropriately, this is Bobbi Katz’s 13th poetry collection. Her others include We the People: Poems and Once around the Sun. Adam McCauley’s mixed media design is great fun and likely to convince children that they are indeed holding a rare collection of monster memorabilia.

It’s time for a sing-along. “There was an old monster who swallowed a tick. I don’t know why he swallowed the tick ‘cause it made him feel sick.” The creepy critters being ingested by our gluttonous friend in There Was An Old Monster! range from ants and bats to lizards and a lone jackal. It culminates with a lion and, well, it’s not necessarily a happy ending. The Emberley family—Rebecca, Adrian and Ed, a Caldecott Medal winner for Drummer Hoff—has joined together to give us a twisted take on an already twisted tune that will be a memorable addition to Halloween pageants everywhere. Readers who can’t seem to get the catchy refrain out of their heads will be happy to find it available for download on Scholastic’s website.

Vampires next door

The new neighbors are a vexing bunch to young Bram Pire. In Dear Vampa Bram dashes off a letter to his Vampa in Transylvania to blow off a bit of steam. For starters, the Wolfson family stays up all day long and seems overly fond of sunshine (“Mom says it’s disgusting”). They lock their windows at night (“It’s so inconsiderate”), and call the cops when the Pires engage in a bit of rooftop revelry at midnight. When the Wolfsons take up slingshots to shoot the Pires out of the sky during their “evening flutter,” it’s the last straw for Mom and Dad. But are the Wolfsons keeping a dark secret of their own? Ross Collins, the author and illustrator of Medusa Jones and Germs, introduces irony into his story at a level that won’t fly over the heads of young readers and his mod-goth style will appeal to graphic novel devotees in the making. This is Halloween hilarity at its hippest.

As the (scare)crow flies

Scarecrows aren’t normally known for their fancy footwork, but in the hands of Jane Yolen and illustrator Bagram Ibatoulline, one comes alive with wild abandon in The Scarecrow’s Dance. When the wind began to blow “He shrugged his shoulders / And a grin / Just like a corn row, / And as thin, / Broke out along / His painted face. / He gave a leap— / And left the place.” The scarecrow dances past the barn and peers in the window of the farmhouse where he glimpses a young boy reciting his prayers. As he leans in to listen to the child’s appeal for a healthy corn crop, the scarecrow knows he must return to his post to do his part. Ibatoulline’s gouache and watercolor illustrations are breathtaking and readers of all ages will appreciate Yolen’s refined verse and the book’s final message about responsibility.

Ellen Trachtenberg is the author of A Parent’s Guide to the Best Children’s Literature.

Copyright 2009 BookPage Reviews.

----------------------
Horn Book Guide Reviews 2010 Spring
A mummy lists the ways he will escape from his Mother Mummy in this send-up of Margaret Wise Brown's The Runaway Bunny. Digitally colored serpents, dragons, and other monstrous beasts figure in Rex's adaptation. Though it's unlikely to elicit the requests for repeated readings that Brown's original does, the story will get a giggle or two from children in the know. Copyright 2010 Horn Book Guide Reviews.

----------------------
Kirkus Reviews 2009 July #2
"Once there was a little mummy who wanted to run away. ‘If you run away,' said Mother Mummy, ‘I will get you! For you are my rotten little mummy!' " As he did in 2008's Goodnight Goon, Rex puts a monstrous spin on a Margaret Wise Brown favorite. True to the pattern set forth in the original, mummy and mommy imagine themselves turning into a variety of monsters, from sea serpent to gargoyle to bat and so on. The parody quickly pales, but the author rescues himself with a metatextual turn to social satire: The little mummy says, "I will become a little boy who takes karate and learns to play piano!" as he imagines a little white bunny in a great green room. The horror. (Picture book. 10 & up) Copyright Kirkus 2009 Kirkus/BPI Communications.All rights reserved.

----------------------
Publishers Weekly Reviews 2009 August #1

Rex, who parodied Goodnight Moon with the creepy Goodnight Goon, pokes monstrous fun at another Margaret Wise Brown/Clement Hurd collaboration, The Runaway Bunny. Instead of the cozy call-and-response of Brown's rabbits, Rex crafts an amusing, mock-threatening exchange between a green-faced mummy and her son, who is threatening to run away. " 'If you run away,' said Mother Mummy, 'I will get you! For you are my rotten little mummy!' " Though their conversation is neither cute nor fuzzy, the images reveal mutual affection. When the child mummy says he "will become a gargoyle and hide on a freezing mountaintop," his mother responds that she "will turn into a dragon and breathe fire on you to keep you warm!" A double spread, modeled on Hurd's wordless paintings, shows the dragon heating the grinning gargoyle, who says, "That's a little hot!" Only when the little mummy threatens to become a soccer and piano-playing "little boy" rabbit (he and his family are shown in a familiar green room with a red carpet) does his mother express horror. Rex fondly and cleverly imitates the original, echoing its tenderness even as he mocks it. Ages 3-5. (Aug.)

[Page 44]. Copyright 2009 Reed Business Information.

----------------------
School Library Journal Reviews 2009 July

K-Gr 2-Children will enjoy comparing this parody page by page to Margaret Wise Brown's The Runaway Bunny (HarperCollins, 1942). When a little mummy gets in trouble, he begins an imaginary game of chase with his mother. Distinctive headgear and occasional bandages identify the two through their spooky transformations. When her child becomes a serpent, gargoyle, or huge bat, the mother becomes the sea monster, dragon, or ancient cathedral necessary to be with her child. Only when the little mummy becomes a boy (actually a bunny) who "takes karate and learns to play piano" does his mother have to use her "most savage, awful, terrible, bloodcurdling shriek" to save him. She bursts into a room, which Clement Hurd might have painted, and terrifies the parents while the green goon from Rex's Goodnight Goon (Putnam, 2008) peers through the window. Little mummy thinks it's all a scream and decides to be his mother's "rotten little mummy" forever. Rex uses pencil drawings colored in Photoshop for his lively cartoon illustrations. Librarians might pair this story with Brown's classic or with Robert San Souci's Cinderella Skeleton (Harcourt, 2000) for a spooky take on another classic tale and an eerie, laugh-filled storytime.-Mary Jean Smith, Southside Elementary School, Lebanon, TN

[Page 67]. Copyright 2008 Reed Business Information.

----------------------