Ann Patchett's inventive twist on the family drama
At first blush it is a surprise to hear Ann Patchett say, "I do think of myself as a social and political novelist." Her previous novel, Bel Canto, which won her the Orange Prize and became an enduring favorite of book groups, is widely regarded as one of the best love stories of recent decades. And her scintillating new novel, Run, will surely be considered by many of its most avid readers the very thing she seems to fear most: "a heartwarming family drama."
But to Patchett's point, the romance in Bel Canto blooms amid the political and emotional turmoil of a terrorist takeover at a tony international gathering in South America. And Run, which concerns the family of a former Boston mayor, often rings with the hopeful political oratory of the 1960s, '70s and '80s, while raising large questions about our responsibilities for people beyond our immediate bloodlines.
"I come from a very complicated family, with tons of stepbrothers and stepsisters," Patchett says, with a characteristic mix of good humor and passion. "That is so much at the core of my imagination. You know? Who is your family? Who do you love? Who do you have responsibility to? My mother was married to my stepfather from the time I was five until I was 25. He had four children. My mother is married to someone else now who I love very much, and he has three children. Where are my levels of love and responsibility to all these people? I come from the school that if you spend a night in my house, you're my family. And you're my family forever."
The family in the novel Run is less extended but no less complicated than Patchett's own. As the book opens, Bernard Doyle, a widower and former mayor of Boston, is alienated from his oldest son Sullivan and now hopes to see his own thwarted political ambitions realized through his adopted African-American sons Tip and Teddy. Neither of these boys is particularly interested in a political life. Tip, the more brilliant of the two, studies ichthyology at Harvard; Teddy considers becoming a Catholic priest, like the elderly uncle he is devoted to. The story begins with Bernard dragging the two boys to a speech by Jesse Jackson as a blizzard descends upon Boston.
Patchett says her characters developed as she imagined a father who wants to raise one of his children to save the world. "When I first started the book I thought if you were really going to save the world in this present day, really help people, you would do it through science. Then I thought about religion. Then ultimately, over a period of a very long time, I came to politics. I decided you have the best chance of effecting real change through politics. So I thought a lot about Joe Kennedy and a lot about the three brothers in The Brothers Karamazov. So for me the book comes from trying to think deeply about the world, from a place of intellect and problem-solving."
According to Patchett, problem-solving and intellect also characterize her usual approach to writing fiction. During a call to her home in Nashville, where she has lived much of her life and where two-and-a-half years ago she married a local doctor after an 11-year courtship, Patchett says, "My standard line is that writing is like taking a car trip. If I don't know where I'm going and I don't have a map, I don't get there. I understand a lot of writers say if they knew where they were going, there would be no point in writing, that a book is the process of figuring out where it is going. But I need to know how it's going to end before I start."
Still, the composition of Run presented Patchett with a number of surprises. "I imagined the story would take place over about four months . . . and then I realized I was on page 140 and I was only two or three hours into the story. The level of intensity in which everything is called into question is so enormous that none of the characters can turn away from the action, so I had to stay with them and write a book that takes place over the course of 24 hours."
Nor did Patchett's original road map include the marvelous Kenya, a talented 11-year-old girl whose mother is seriously injured when she saves Tip from an oncoming car and whose quiet assertion that she is the adopted brothers' sister sets off the intense moral and emotional quest of the novel. "I hadn't planned for that," Patchett says, "but then Kenya moved forward and I thought, well, I'm going to let her rise into that role."
Patchett, who spent 12 years in Catholic school (and jokes that as a result when her writing is stuck she "runs the vacuum, or dusts, or cooks, or I iron my husband's handkerchiefs. I'm a great wife. And I enjoy it!") adds: "In the same way that I like writing a book that has religion in it but is in no way about religion, I like a book that has people of different races in it without it being about race. Somehow, whenever I see a book that has white people and black people in it, it's a book about race, and that seems wrongheaded and untrue to the experience of life. The stakes are higher when you imagine people farther from your own experience, but the farther your characters are from your experience, the more likely you are to work to make sure they are fully realized characters."
"The value of literary fiction," Patchett says near the end of our conversation, "is that the writer brings half and the reader brings half. You have to leave enough space to let the book become something different with each reading. To me Run is about social responsibility. But I don't want it to be a polemic. I can't devalue what it becomes in anyone else's hands. I have left it open for readers to make it their own book. And if they make it into a heartwarming family drama, and that works for them and it teaches them something, then the book is a success."
Alden Mudge writes from Oakland, California. Copyright 2007 BookPage Reviews.
Kirkus Reviews 2007 August #2
A family-of-man fable that reads a little too pat to ring true.Like the popular previous novel by Patchett (Bel Canto, 2001), this one finds an unexpected incident connecting and affecting a seemingly disparate cast of characters, isolating them within their own microcosm. The setting is Boston--very Catholic, very political, very racially divided--on the snowiest evening in more than two decades, when a large group gathers to hear a speech by the Rev. Jesse Jackson. Among them is widower Bernard Doyle, once the city's mayor until a scandal involving his oldest son compromised his career (one of the underdeveloped subplots here). Still a political junkie, Doyle wants his two adopted, college-age African-American sons to express more interest in his passion. Though he'd had high political aspirations for these two--even going so far as to name them Tip and Teddy--both are pursuing different paths. Tip wants to be a scientist studying fish; Teddy hears the call of the priesthood, likely inspired by his adoptive mother's uncle, the elderly Father Sullivan. The priest has reluctantly gained notoriety as a faith healer (another underdeveloped subplot), though he doesn't believe he has extraordinary powers, and his own faith has become shaky. Leaving the Jackson speech, Tip steps amid the swirling snow into the path of an SUV. A woman with her young daughter pushes him out of the way, letting the SUV hit her. Is the woman Tip's real mother? (And Teddy's?) Is the young daughter their sister? Why do she and her mother seem to know so much more about the Doyles than they know about her? What do we make of the statue of the Virgin Mary that looks so much like the only mother Tip and Teddy have known? And what about that significant plot twist revealed in conversation between a dead woman and one who may be dying? By the time the extended family converges on the hospital, it has become plain that neither these people nor this family can ever be the same.Compelling story but thematically heavy-handed. Copyright Kirkus 2007 Kirkus/BPI Communications. All rights reserved.
Library Journal Reviews 2007 July #1
Two families come together in a traffic accident during a snowstorm. Nothing terribly unusual there, except that a woman has purposely thrown herself under a car to protect a stranger. It quickly becomes clear that the families--a poor, single black mother with her 11-year-old daughter and a white, Irish Catholic, former Boston mayor with a biological son and two adopted black college-aged sons whose much-loved wife died over 20 years ago--have a connection. The award-winning Patchett (Bel Canto ) here presents an engrossing and enjoyable novel. While there are a few unexpected turns, the reader very quickly figures out where the plot is headed, but that does not detract from the pleasure of reading. The somewhat unusual premise is presented very matter-of-factly; this is not a story about race but about family and the depths of parents' love of their children, whether biological, adopted, given away, or otherwise acquired, and of each other. Recommended for most collections. [See Prepub Alert, LJ 6/15/07.]--Sarah Conrad Weisman, Corning Community Coll. Lib., NY[Page 84]. Copyright 2007 Reed Business Information.
Reviewed by Andrew O'Hagan
Novelists can no longer take it as an insult when people say their novels are like good television, because the finest American television is better written than most novels. Ann Patchett's new one has the texture, the pace and the fairy tale elegance of a half dozen novels she might have read and loved growing up, but the magic and the finesse of Run is really much closer to that of Six Feet Under or ER or The Sopranos , and that is good news for everybody, not least her readers.
Bernadette and Bernard Doyle were a Boston couple who wanted to have a big lively family. They had one boy, Sullivan, and then adopted two black kids, Teddy and Tip. Mr. Doyle is a former mayor of Boston and he continues his interest in politics, hoping his boys will shape up one day for elected office, though none of them seems especially keen. Bernadette dies when the adopted kids are just four, and much of the book offers a placid requiem to her memory in particular and to the force of motherhood in lives generally. An old statue from Bernadette's side of the family seems to convey miracles, and there will be more than one before this gracious book is done.
One night, during a heavy snowfall, Teddy and Tip accompany their father to a lecture given by Jessie Jackson at the Kennedy Centre. Tip is preoccupied with studying fish, so he feels more than a little coerced by his father. After the lecture they get into an argument and Tip walks backwards in the road. A car appears out of nowhere and so does a woman called Tennessee, who pushes Tip out of the car's path and is herself struck. Thus, a woman is taken to hospital and her daughter, Kenya, is left in the company of the Doyles. Relationships begin both to emerge and unravel, disclosing secrets, hopes, fears.
Run is a novel with timeless concerns at its heart--class and belonging, parenthood and love--and if it wears that heart on its sleeve, then it does so with confidence. And so it should: the book is lovely to read and is satisfyingly bold in its attempt to say something patient and true about family. Patchett knows how to wear big human concerns very lightly, and that is a continuing bonus for those who found a great deal to admire in her previous work, especially the ultra-lauded Bel Canto . Yet one should not mistake that lightness for anything cosmetic: Run is a book that sets out inventively to contend with the temper of our times, and by the end we feel we really know the Doyle family in all its intensity and with all its surprises.
Andrew O'Hagan's novel Be Near Me has just been published by Harcourt.[Page 166]. Copyright 2007 Reed Business Information.