Annotations for Black Hour


Baker & Taylor
"For Chicago sociology professor Amelia Emmet, violence was a research topic-until a student she'd never met shot her"--

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Baker & Taylor
"For Chicago sociology professor Amelia Emmet, violence was a research topic--until a student she'd never met shot her. He also shot himself. Now he's dead and she's back on campus, trying to keep up with her class schedule, a growing problem with painkillers, and a question she can't let go: Why? All she wants is for life to get back to normal, but normal is looking hard to come by. She's thirty-eight and hobbles with a cane. Her first student interaction ends in tears (hers). Her fellow faculty members seem uncomfortable with her, and her ex--whom she may or may not still love--has moved on. Enter Nathaniel Barber, a graduate student obsessed with Chicago's violent history. Nath is a serious scholar, but also a serious mess about his first heartbreak, his mother's death, and his father's disapproval. Assigned as Amelia's teaching assistant, Nath also takes on the investigative legwork that Amelia can't do. And meanwhile, he's hoping she'll approve his dissertation topic, the reason he came to gradschool in the first place: the student attack on Amelia Emmet. Together and at cross-purposes, Amelia and Nathaniel stumble toward a truth that will explain the attack and take them both through the darkest hours of their lives"--

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Baker & Taylor
Chicago sociology professor Amelia Emmet's experience with violence becomes more than academic when a student shoots her and kills himself, and her new teaching assistant hopes to make the incident the topic of his dissertation.

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Baker & Taylor
Recovering from being shot by a student she'd never met, Chicago sociology professor Amelia Emmet, desperate to know why she was targeted, gets some investigative help from her teaching assistant and together they must live through the darkest hours of their lives to find the truth. Original.

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Random House, Inc.
For Chicago sociology professor Amelia Emmet, violence was a research topic--until a student she'd never met shot her.

He also shot himself. Now he's dead and she's back on campus, trying to keep up with her class schedule, a growing problem with painkillers, and a question she can't let go: Why?

All she wants is for life to get back to normal, but normal is looking hard to come by. She's thirty-eight and hobbles with a cane. Her first student interaction ends in tears (hers). Her fellow faculty members seem uncomfortable with her, and her ex--whom she may or may not still love--has moved on.

Enter Nathaniel Barber, a graduate student obsessed with Chicago's violent history. Nath is a serious scholar, but also a serious mess about his first heartbreak, his mother's death, and his father's disapproval. Assigned as Amelia's teaching assistant, Nath also takes on the investigative legwork that Amelia can't do. And meanwhile, he's hoping she'll approve his dissertation topic, the reason he came to grad school in the first place: the student attack on Amelia Emmet.

Together and at cross-purposes, Amelia and Nathaniel stumble toward a truth that will explain the attack and take them both through the darkest hours of their lives.

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